What is the significance of the birdcage and the dead bird




















The canary represents Minnie Foster: that sweet, fluttery girl who was transformed into the lonely, depressed Mrs. Wright by years of her husband's neglect and emotional abuse.

All right, let's talk about this cage. If Minnie Foster is the canary, then we can definitely see how the cage could represent the stifling marriage that turned her into depressed Mrs. We know that the cranky John Wright demanded silence in his house. Add that to the geographic isolation that the remote house created, and Minnie Foster was definitely in a cage.

However, when we meet the cage, the door has been violently torn off of it. We learn that John Wright tore the door off so that he could wring the bird's neck. Ironically, though, this symbolic murder of Minnie Foster is what leads to murder of John Wright.

For Minnie, it's the last straw, and it's the thing that makes her strangle her husband in much the same way that he killed the bird. That the pretty little caged bird on a date with destiny represents Minnie is made slightly more distinct through Mrs. But that—oh, that was thirty years ago. Hale could not be conceived any more symbolically as its draws a parallel between the familiar images of a vibrant young lady and a brilliantly colored canary happily singing in the trees until it lost its freedom and became nearly mute whilst trapped inside the prison of its small cage.

Just in case the symbol remains elusive for anyone, however, Glaspell proceeds to concretize the symbolism beyond ambiguity a short time later when Mrs. Some might argue that the most important element of the cage is its representation of the imprisoned existence in which the formerly bright, happy and singing Minnie Foster found herself trapped as a result of her aggressively conservative belief system about the proper place in the world for men and women.

Equally important is the fact that the cage is broken, however. Moreover, almost all their retorts are accompanied by laughter or irony, which makes women feel embarrassing: "The men laugh, the women look abashed" Glaspell 9. The next way the author uses to show the relationships between men and women is their location on the stage. As it has been said earlier, women were staying near the door and men were near the fire. Such a location shows that men are superior to women and women play a secondary role in society.

While men were discussing Mr. Wright's murder by the fire, women had nothing to do, but to stand silently. Women are described as the shadows of their men.

They are always behind them and they follow men everywhere but have no right to speak or pretend to make their own decisions. Such a social situation, which is truthfully described in the play, has influenced the men's assumptions about women.

Men characters arrive at a conclusion that women always worry over trifles; consequently, they reckon women as unserious. They also think that a woman must be a good housekeeper and always have the house in order, so when the county attorney saw dirty towels and a lot of pans under the sink, his speech became full of sarcasm: "Not much of a housekeeper, would you say, ladies?

Female characters try to be independent; that is why they challenge men's assumptions. It is understandable even from the words of the county attorney: "Ah, loyal to your sex, I see" Glaspell 6. Women try to be the unified whole and to support each other.

They are angry with men who try to hurt them: "I'd hate to have men coming into my kitchen, snooping around and criticizing" Glaspell 7. Moreover, to remonstrate against such assumptions, women decide to hide evidence in order to help Mrs.

Susan Glaspell's play "Trifles" is a bright example of the representation of the American society at the beginning of the XIX century. It fully transfers the problem of women's place in society, their desire to become independent, and their struggle for freedom.

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Thanks, EssaysWriters. I doubted about the quality of my writing. However, the finished paper was well written. Moreover, it contained no mistakes. Wright from the men.

They know that she was abused and they pity her and believe that she had a right to kill her husband, and they feel sorry for her and do not want her to go to prison for it, so they hide the evidence from the men. This is the women playing the part of what the heroin is to Sonny and being the ones who start to control Mrs.

Homer Barron represented death because her wife killed him with some potion that she bought Arsenic.

Strand of gray hair also symbolized love lost meaning she lost both of her loves of her life. It also represented wisdom. Wisdom is a sight of getting old meaning she lived her life already. Wright causes his wife to kill him because he killed her bird which resembled her-self and how she was pretty, happy, and was free.

But Mr. Wright killed her bird so she killed him. He was responsible for his own death, by making Mrs. Wright self-destruct. The two women in the play have been picking up one the little house clue the men in the play would find in significant, because they think all the women are really talking about is trifles, but in reality they are talking about how Mrs. Wright killed her husband. Open Document. Essay Sample Check Writing Quality. The setting of a story is the physical and social context in which the action of a story occurs.

Meyer The setting can also set the mood of the story, which will help readers to get a better idea pf what is happening. The major elements of the setting are the time, place, and social environment that frame the characters. Meyer "Trifles by Susan Glaspell portrays a gloomy, dark, and lonely setting. Glaspell uses symbolic objects to help the audience get a better understanding for the characters. The three symbolizes used are a birdcage, a bird, and rope.

The birdcage represents how Mrs. Wright was trapped in her marriage , and could not escape it. The birdcage door is broken which represents her broken marriage to Mr. It also represents Mrs. Wright escaping her marriage from Mr.



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